André Campra was a French composer and conductor. Campra was one of the leading French Le papillon, Le jaloux, Le lys et la rose. Sacred works. Nisi Dominus (); Requiem (after ); Motets for the royal chapel (–) . Find album reviews, stream songs, credits and award information for André Campra: Messe de Requiem – Philippe Herreweghe on AllMusic – André Campra, Jean-Claude Malgoire, Gilles Ragon, Dominique Visse, Peter Harvey, La Grande Écurie et La Chambre du Roy – Campra – Requiem ~ Miserere.

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Views Read Edit View history. Gramophone’s expert reviews easier than ever before. The orchestra, too, nake a strong contribution with several instances of effective woodwind playing.

André Campra

Campra added violins to the performance of sacred music requiwm the Paris cathedral, a controversial innovation in an era when they were considered street instruments. Review This Title Share on Facebook. The New Penguin Opera Guide. If one is looking for a powerful descriptive Mass for the Dead, this is not it.

Campra Requiem Mass

There is no Dies iraefor instance, nor a Libera me. I have long found this work of great and, it would seem, enduring beauty. Les Pages et Les Chantres de Versailles. Skip to main content. We find evidence of that, for example, in the Gradualwhose reiterated ”non, non” etc. But reqiem is the quiet intensity and the strongly contemplative character of Campra’s Requiem which, perhaps, strike the profoundest note.

The perfect gift for the classical music enthusiasts! The all-time greats Read about the artists who changed the world of classical music. Herreweghe does full musical justice to Cakpra score but Gardiner succeeds better in camprx our passions. Composition Artist Credits Messe de Requiem. He began to compose for the theatre in and published some theatrical compositions under his brother’s name to protect his reputation with church authorities.

Conductor Schneebeli knows how to provide the sonorous blend of chorus and string orchestra augmented by a pair of flutes in certain movements such as the Agnus Dei, as well as the serpent reinforcing the continuo, an old French tradition of the time so that the textures function well together.


Retrieved 12 June Whether you want to see what we think of today’s latest releases or discover what our critics thought of your favourite recordings from the past, you will find it all in our full-searchable Reviews Database. Well, since I’ll be dead and buried by the year let alonewhen such junketings could take place, I might as well make the most of this welcome, if modest, enthusiasm for his music. This disc presents two of the later works of his long career, a Requiem written around or so and one of the grands motetsa setting of Psalm for soloists, chorus, and small orchestra in the Lullian tradition.

Featured Popular Ensembles Academy of St. This section needs expansion. In he gave up his post at Notre-Dame and devoted himself to theatrical music with critical success.

How curious, since he does not even have an anniversary in the offing. He was reprimanded by his superiors in for having taken part in theatrical performances without permission, but was nevertheless made a chaplain on 27 May of that year.

The performance, taken apparently from a concert at Versailles devoted to Campra, is quite moving. In the end it is more a matter of personal taste than a question of choosing the better performance.

Camrahe adopted the composition of sacred music as his only profession. The motet is likewise easygoing, moving sonorously without the frenetic energy that one might find in, say, Georg Philipp Telemann or Antonio Vivaldi. By using this site, you agree canpra the Terms of Use and Privacy Policy. During the eighteenth century there were various permutations of the content of the Requiem Mass and in Campra’s version there are certain omissions. The Monteverdi Choir always sound more fervent than that of La Chapelle Royale, but I feel that Gardiner also captures the pathos of Campra’s music to a greater extent than Herreweghe.

These sections are further sub-divided variously into recits, dialogues, duos, trios and choruses. As usual, the voices of La Chapelle Royale are pleasantly blended and clear in texture. He died in Versailles on 29 June at the age of This is music to absorb the requiej, not lecture to it.

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In point of fact much of it, both for the church and for the stage, is noteworthy and this Messe de Mort or Requiem Mass afford cam;ra proof. By he was such a musical celebrity that he became a target for negative articles in the press. From Wikipedia, the free encyclopedia. Gramophone products and those of specially selected partners from the world of music.

He also wrote three books of cantatas as well as religious music, including a requiem. Campra Requiem Mass Messe de Requiem.

Messe de Requiem (Campra, André) – IMSLP/Petrucci Music Library: Free Public Domain Sheet Music

It is, furthermore, a work of considerable individuality which stands out from among the greater number of sacred works of the ”Grand Siecle”. The performance is attentive to points of style and has some particularly convincing solo singing, notably from two British artists, John Elwes and Stephen Varcoe.

His father was his first music teacher. You can help by adding to it. Varcoe’s contribution I thought outstanding in the Sanctus but throughout the solo team is a strong one. If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information.

Compared with John Eliot Gardiner’s Erato account of the same work, Herreweghe may well requiemm us as being a little cool, a little detached; it seems a small point but in the end, I think it is the crucial one for Gardiner introduces an intensity reqiiem his reading which is persuasive.